Showing posts with label Karen McCullough. Show all posts
Showing posts with label Karen McCullough. Show all posts

Friday, December 2, 2011

Breaking the Rules

The Writing Life – Breaking the Rules



This is sort of a confession: I don’t always follow the rules.



I’m not talking about speed limits or red lights late at night. It’s not that kind of confession.



I’m talking about those rules of writing that “everyone” knows and says you must follow.



Don’t let them kid you. You don’t have to follow them all slavishly. But—big “BUT”—you do need to know what they are and how to follow them before you’re allowed to break them.



First rules up for discussion are the rules of English grammar. In truth, I’m pretty fanatical about them. There are right ways and wrong ways to break these rules. Yes, there is fidget room within the rules, and places where it’s okay to ignore them, but ONLY after you’ve mastered them. Every craftsperson needs to know how to use the tools of their trade. Our tools are words, sentences, and paragraphs. A good writer knows how to use them properly.



And how to break them, of course. Like most writers I use the occasional sentence fragment. When you’re deep inside a character’s point of view, for instance, you can use fragments to reflect their thought process, which rarely happens in any neatly grammatical way. Dialogue is full of sentence fragments and other bits of odd grammar. Eavesdrop on conversations and you’ll hear that people don’t always speak in neat full sentences. Even strange punctuation can serve a purpose in your prose.



But know this. Editors and readers can tell the difference between grammatical mistakes that serve a purpose and errors of ignorance.



Then there’s the rule that says you must write every day, if you want to be considered a serious writer. I admit that it’s good in theory. I’d love to be able to write every single day. But I have a demanding job, a husband, family, and friends. They’re all important to me, and they all demand major chunks of time. I have to do promo for my books that are out, which can also take large bites out of the day.



There are days that writing just isn’t possible. There are just too many other things going on in my life. Sadly, I’m not the kind of writer who can grab any open few minutes to add to the opus. I need to get into my world and really soak in it for a bit before I’m ready to start reporting on it again.



The result is that I’m more of a spurt writer than a steady one.  I tend to write on free nights and weekends, any time I can get a decent chunk of time without too many distractions.  Most experts frown on that, saying you should have the discipline to write some every single day. But it’s not discipline I lack. It’s time.



Does that mean I’m not a serious writer? You tell me. I’ve published eleven novels, several novellas, and quite a few short stories.  I’ve got probably that many more unpublished stories sitting on my hard drive.



But now, just to round it out, here’s one of those “rules” that I never break: I never send out the first draft of a novel. In fact, my manuscripts go through several rounds of revision and editing before I turn them loose in the cold, cruel world of publishing. And then they’ll likely see several more rounds of editing before they’re released to the public.



A novel is too big a project to think it can possibly come out perfect on the first try.



So… What writing rules do you break?





Bio for Karen McCullough

Karen McCullough is the author of ten published novels in the mystery, romantic suspense, and fantasy genres and has won numerous awards, including an Eppie Award for fantasy. She’s also been a four-time Eppie finalist, and a finalist in the Prism, Dream Realm, Rising Star, Lories, Scarlett Letter, and Vixen Awards contests. Her short fiction has appeared in several anthologies and numerous small press publications in the fantasy, science fiction, and romance genres. Her most recent releases are MAGIC, MURDER AND MICROCIRCUITS, a paranormal romantic suspense now available in most electronic formats, A GIFT FOR MURDER, published in hardcover by Five Star/Gale Group Mysteries, and the re-releasedebook of A QUESTION OF FIRE. She invites visitors to check out her home on the web at http://www.kmccullough.com and her site for the Market Center Mysteries series, http://www.marketcentermysteries.com



Blurb for MAGIC, MURDER AND MICROCIRCUITS:


A powerful wizard with a physics degree and a checkered past invents a shield to ensure he'll never again be tortured almost to death…

The wizarding powers-that-be fear the repercussions of such a device and send his former girlfriend, an accomplished wizard herself, to retrieve the device or destroy it…

When the shield is stolen by the magical mafia, Ilene McConnell and Michael Morgan have to set aside their differences and work together to recover it. Michael claims he needs the device as insurance against the kind of injury and injustice he suffered once before. Ilene maintains its potential to upset the delicate balance of power makes it too dangerous and that it needs to be destroyed. But none of that will matter if they can’t retrieve it before a ruthless, powerful wizard learns how to use it for his own ends.



Buy links for MAGIC, MURDER AND MICROCIRCUITS:



Amazon Kindle Edition:

http://www.amazon.com/Magic-Murder-and-Microcircuits-ebook/dp/B0060Y5IQ6/ref=sr_1_6?s=digital-text&ie=UTF8&qid=1319925543&sr=1-6



Nook Edition:

http://www.barnesandnoble.com/w/books/1035815244?ean=2940013212879&itm=3&usri=karen+mccullough



Order from Smashwords:

https://www.smashwords.com/books/view/100257








Monday, April 25, 2011

ExcerpTuesday: Karen McCullough

Excerpt from A QUESTION OF FIRE by Karen McCullough




Cathy wasn't paying attention to traffic, so she wasn't sure when she first noticed the dark blue Toyota that kept popping up in her rearview mirror. When she changed lanes, it did, also, and when she turned right and then right again, the Toyota stayed in line behind. She made a sudden left turn and zigzagged around the next couple of blocks, to come out a half mile further up the road than she wanted to be. A look in the mirror confirmed the Toyota was still there, two cars back. She continued to watch it when she swung into the employees' parking lot at the newspaper building, but the blue car cruised on, down the street and out of sight. She was too far away to get a look at the driver.



Ray was in his office, so she knocked and entered at his nod. She filled him in on the conversation with Lowell and added her belief that she'd been followed back from his office. He expelled a long sigh and picked up a cigarette that had been smoldering in the ashtray.



"Off the wagon again?" she asked.



He looked at the cigarette and nodded. "Brief trip this time. It's all your fault. Worry sets me off."



"Forget it. I'm carrying all the guilt I can handle right now."



He sucked in another long pull and expelled slowly, trying to blow smoke rings that never quite achieved circularity.



"What is it?" she asked.



"I talked to Lieutenant Norfolk," he said. "No line on the killer yet. They searched Bobby Stark's apartment, but didn't find anything that looked like evidence."



"They checked the air vents and conditioners?"



"Of course."



She heard more in his tone. "Well?"



Ray blew a perfect ring for a change, then put the cigarette down. "They did find a stash of crack."







A QUESTION OF FIRE: When Catherine Bennett agrees to attend an important party as a favor for her boss, she knows she won't enjoy it, but she doesn't expect to end up holding a dying man in her arms and becoming the recipient of his last message. Bobby Stark has evidence that will prove his younger brother has been framed for arson and murder. He wants that evidence to get to his brother's lawyer, and he tries to tell Cathy where he's hidden it. Unfortunately, he can only manage to give her a cryptic piece of the location before he dies. The man who killed Bobby saw him talking to her and assumes she knows where the evidence is hidden. He wants it back and he'll do whatever it takes to get it, including following her and trying to kidnap her. Cathy enlists the aid of attorney Peter Lowell and Danny Stark, Bobby's prickly, difficult younger brother, as well as a handsome private detective to help her find the evidence before the killers do.



Order Here: http://www.amazon.com/A-Question-of-Fire-ebook/dp/B002W5RBZS/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1277913196&sr=1-1



Bio: Karen McCullough

Karen McCullough has written and published nine novels in the romantic suspense, mystery, and fantasy genres and won numerous awards, including an Eppie Award for fantasy. She’s also been a four-time Eppie finalist, and a finalist in the Prism, Dream Realm, Rising Star, Lories, Scarlett Letter, and Vixen Awards contests. Her short fiction has appeared in several anthologies and numerous small press publications in the fantasy, science fiction, and romance genres.

Her most recent publication was a Christmas paranormal novella, VAMPIRE’S CHRISTMAS CAROL, publised by Cerridwen Press in the anthology BENEATH A CHRISTMAS MOON. Forthcoming releases include a Gothic novella from Red Rose Publishing, which will be part of the SHADOWED HEARTS anthology, and a mystery novel, AGIFT FOR MURDER, from Five Star/Gale Group, with hardcover release scheduled for January 2011.

A member of Mystery Writers of America, Romance Writers of America, and the Writers’ Group of the Triad, she is a former president of the Southeast Chapter of Mystery Writers of America.

She invites visitors to check out her home on the web at http://www.kmccullough.com